In General
Disco is a genre of dance-oriented pop music. Disco
songs usually have soaring, often reverberated vocals over a steady
four-on-the-floor beat, an eighth note (quaver) or sixteenth note (semi-quaver)
hi-hat pattern with an open hi-hat on the off-beat, and a prominent, syncopated
electric bass line. Strings, horns, electric pianos, and electric guitars create
a lush background sound. Orchestral instruments such as the flute are often used
for solo melodies, and unlike in rock, lead guitar is rarely used.
Well-known mid-1970s disco performers included Evelyn
"Champagne" King, Tavares, Chic, Bee Gees, Donna Summer, Grace Jones, Gloria
Gaynor, Diana Ross, the Village People, Sylvester, the Jackson 5 and Barry
White. While performers and singers garnered the lion's share of public
attention, the behind-the-scenes producers played an equal, if not more
important role in disco, since they often wrote the songs and created the
innovative sounds and production techniques that were part of the "disco sound".
Many non-disco artists recorded disco songs at the height of disco's popularity,
and films such as Saturday Night Fever and Thank God It's Friday contributed to
disco's rise in mainstream popularity and ironically the beginning of it's
commercial decline. While disco music declined in popularity in the early to mid
1980s, it was an important influence on the development of Hip hop music and
Disco's direct descents -- 1980s and 1990s electric dance music genres
of House Music and its harder driving offshoot Techno as well as
80's British New Wave and hip hop subgenres of crunk, snap, and hyphy.
1975-1979: mainstream popularity
The release of the film and soundtrack of Saturday Night Fever, which became the
number one best-selling soundtrack of all time, turned Disco into a mainstream
music genre. This in turn led many non-Disco artists to record disco songs at
the height of its popularity, most often due to demand from record companies who
needed a surefire hit. Many of these songs were not "pure" disco, but were
instead rock or pop songs with disco
overtones. Notable examples include Marvin Gaye’s "Got to Give It Up" (1977);
Barry Manilow’s "Copacabana (At The Copa)" (1978), Michael Jackson’s "Don't Stop
'Til You Get Enough”.
Early 1980s hip-hop and dance music
The disco sound had a gigantic influence on early 1980s hip-hop
and rap. Most of the early rap/hip-hop songs were created by isolating existing
Disco base guitar lines and dubbing over them with MC rimes. In 1982, Afrika
Bambataa released the single "Planet Rock," which incorporated electronica
elements from Kraftwerk's "Trans-Europe Express" and "Numbers." The "Planet
Rock" sound also spawned a hip-hop electronic dance trend, which
included such songs as Planet Patrol's "Play At Your Own Risk" (1982), C Bank’s
"One More Shot" (1982), Shannon's "Let the Music Play" (1983), Freeez's "I.O.U."
(1983), Midnight Star's "Freak-A-Zoid" (1983), and Chaka Khan's "I Feel For You"
(1984).
1990s and 2000s "disco revival"
In the 1990s, a revival of the original disco style began to
emerge. The disco influence can be heard in songs as Gloria Estefan's "Get On
Your Feet" (1991), Whitney Houston's "I'm Every Woman" (1993), U2’s "Lemon"
(1993), Diana Ross's "Take Me Higher" (1995), The Spice Girls’ "Who Do You Think
You Are" (1997), Gloria Estefan's "Heaven's What I Feel" (1998), Cher’s "Strong
Enough" (1998), and Jamiroquai's "Canned Heat" (1999).
The trend continued in the 2000s with hit songs such as Kylie
Minogue’s "Spinning Around" (2000) and "Love at First Sight" (2002), Janet
Jackson's "R&B Junkie" (2004), La Toya Jackson's "Just Wanna Dance" (2004),
and Madonna’s 2005 album Confessions on a Dance Floor echoes traditional disco
themes, particularly in the single "Hung Up," which samples ABBA's "Gimme!
Gimme! Gimme! (A Man After Midnight)."
In the mid-late 2000s, many disco-influenced songs have been
released, becoming hits, including Ultra Nate's "Love's The Only Drug" (2006),
Gina G’s "Tonight's The Night" (2006), Irene Cara's "Forever My Love" (2006),
Bananarama's "Look on the Floor (Hypnotic Tango)", Dannii Minogue's "Perfection"
(2006), Claudja Barry's "I Will Stand" (2006), Sophie Ellis-Bextor’s "Me and My
Imagination" (2007) and Maroon 5's "Makes Me Wonder" (2007).